Between the fifteenth and the eighteenth century, princely courts dominated the Italian political scene. These courts were effervescent centers of cultural production. As such, they became a model for European monarchies who imported Italian courtly forma del vivere (‘style of life’) to legitimize their power and to define social status. This phenomenon included architecture and painting, theater and music, manners and aesthetics, and all the objects, behaviors and beliefs that contributed to homogenize European culture in the age of the Old Regime. It involved a hemorrhage of art and a continuous circulation of people, texts and symbols. The foundational material for this process was classicism and its purpose was political. This delineates a new geography and chronology of a truly European cultural history. It also provides the key traits for the European cultural identity.

Table des matières

Acknowledgements
Preface
I : Republics and Princes
1.The Historiographical Journey
2.Historical Development
3.A World of Courts
3.a. What is a court ?
3.b. Courts everywhere
II : Italian Courts and European Culture
4. Europe of the Courts
4.a. The terms of the question
4.b. From the Middle Ages to the finis Italiae
4.c. Invasion and counter-invasion
4.d. Italian courts and renovatio imperii
4.e. A queen and two kings
4.f. The ‘Second Renaissance’
5.g. ... and beyond
5. People
5.a. Princesses and princes
5.b. People going
5.c. People coming
6. Things
6.a. The arts market
6.b. Books
6.c. Language
III : Models
7. Spaces
8. Images
9. The performing arts
10.The forma del vivere
10.a. Dance
10.b. Clothes
10.c. The gentleman
IV. Common denominators
Index

Marcello Fantoni
Marcello Fantoni is currently Professor of History and Vice President at Kent State University (USA). He received his Ph.D. in History and Civilization in 1991 from the European University Institute. In 1998-1999 he was awarded a grant from The Harvard University Center for Italian Renaissance Studies. Between 1995-2004 he was Director of the Georgetown University program in Florence and visiting professor of Renaissance History at Georgetown University, Washington D.C. In 2002 he received his tenure as full professor in Early Modern History at the University of Teramo (Italy) and in 2005 he was appointed Director of the Kent State University program in Florence. His academic positions include : Director of Centro studi Europa delle Corti (since 2004), member of the board of “Centre de recherche du château de Versailles” (France, since 2007). Some of his main publications are : La corte del Granduca. Forma e simboli del potere mediceo fra Cinque e Seicento (1994), The Anglo-Americans and Florence. Idea and Invention of the Renaissance (2000), Il potere dello spazio. Principi e città nell’Italia dei secoli XV-XVII (2002), The Art Market in Italy : 15th-17th centuries (2002) ; Catholicism as Decadence (2007) and Fès et Florence en quête d’absolu (2008) ; The Court in Europe (2012).